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No brush and cans filled with colorful synthetic Francisco shares his search through the essential element of drawing and painting: “line”. A plastic and vivid complexity, which may suggest a bottom, the depth of a form or a story.

The result of the need to re-start is set here assembled. Born of interest in the accumulation of carriers and power steering lines, lines that are imperfect, who deny its flagship feature: righteousness; lines which appear as streaks of a child playing, which form a rhythmic structure in which a desired order is perceived. Compositions that resemble a trellis rather than a frame.


Francisco Valverde

1990 He studied at the Art Center Collegue of Design doing degree of Plastic Arts, Pasadena, California.

Solo exhibitions
2014 Entramados, Alfredo Ginochio Gallery, Mexico DF
2013 Art Wynwood, Alfredo Ginochio Gallery, Miami
2007 Adorables Criaturas, Consulate General of Mexico in San Francisco, California, USA.
2005 Icono-Hombres Morelos Arts Center (CEMA), Cuernavaca, Morelos.
Episodios, at the Cultural Center Dozsa Muveledesi Haz, Budapest, Hungary.

Group exhibitions
Museum of Contemporary Art of Oaxaca, Oaxaca, Mexico.
Cultural Center Gallery, Institute Potosino of Fine Arts, San Luis Potosi.
Art Museum of Sinaloa, Culiacan, Sinaloa, Mexico.
El Dios venidero, Bienal Rufino Tamayo Tamayo, Museum, Mexico City.
Lo que ves no es todo lo que hay, Gallery La Habana. Mexico Df.

2009 FOECA, Creators with Trajectory (Institute of Culture of Morelos, National Council for Culture and the Arts), with the project Rayando para caminar.
2009 Was selected as a finalist in the International Non-Toxic Printmaking, Fundidora Park, Monterrey, NL
2004 Scholarship holder Young Artists, Cultural Institute of Morelos, FONCA, in the project La Muerte de Dionisio.

Trade shows
2002 FIA in Venezuela