Paulina Cervantes

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Bienvenida bella luciérnaga
From the set: Instantes Divinos
Digital photography
11×14 in

Para llegar al ser que ya eres
From the set: Instantes Divinos
Digital photography
11×14 in

Santos inocentes
From the set: Instantes Divinos
Digital photography
11×14 in

Perfecta Simbiosis
From the set: Instantes Divinos
Digital photography
11×14 in

From the set: Instantes Divinos
Digital photography
14×11 in

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Ciclo de conferencias

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Artistas NM
Jueves 8 de marzo 6 pm
Londres 15, Zona Rosa

Gorka Larrañaga. 
Pintura como imagen

Andrés Amaya. 
Viaje al centro de la ………

Conferencia: Marcos Límenes

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Gracias por confirmar tu asistencia. CONFERENCIA:Marcos Límenes. Nadie puede poder Jueves 23 de febrero, 11 am Estoy absolutamente convencido que sin aventura no hay arte. Mi aventura sigue encontrando sus cauces dentro de los bordes regulares que delimitan un cuadro: … Read More

Miriam Medrez

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Ying Yang. Canvas and thread. 90 x 96 x 30 cm
Ying Yang
Canvas and thread
90 x 96 x 30 cm
Media luna. Canvas and thread. 52 x 31 x 62 cm
Media luna
Canvas and thread
52 x 31 x 62 cm
Erizo. Canvas and thread. 60 x 60 x 39 cm
Erizo
Canvas and thread
60 x 60 x 39 cm
Semilla. Canvas and thread. 139 x 139 x 44 cm
Semilla
Canvas and thread
139 x 139 x 44 cm

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As other women from the last decades, Miriam Medrez has written over her body, she has had to invent and re-invent herself to embrace herself as one, without requiring subversion or direct confrontation nor, on the other hand, ending up in essentialism. Se represents herself apart from the symbolic, patriarchal order, creating her own means of representation.

She moves from the subtlety and passivity to an aggressive confrontation. This work pairs her up with artists such as Louise Bourgeois, Kiki Smith, Eva Hesse or Judy Chicago to whom the necessity of exploring their identity and intimacy drives them to the use of a metaphorical iconology of the female body managing to generate alternative representations to those that by norm had been assigned to the female body, showing the experience of being body.

Curriculum

Marcos Límenes

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Canto No. 1, Oil on canvas, 135 x 180 cmCanto No. 1
Oil on canvas
135 x 180 cm
Canto No. 2, Oil on canvas, 2010, 125 x 165 cmCanto No. 2
Oil on canvas
125 x 165 cm
Canto No. 3, Mixed media on canvas, 125 x 165 cmCanto No. 3
Mixed media on canvas
125 x 165 cm
Plegaria No. 1, Mixed media on canvas, 244 x 122 cmPlegaria No. 1
Mixed media on canvas
244 x 122 cm
Plegaria No. 15, Mixed media on canvas, 244 x 122 cmPlegaria No. 15
Mixed media on canvas
244 x 122 cm
Plegaria No. 16, Mixed media on canvas, 244 x 122 cmPlegaria No. 16
Mixed media on canvas
244 x 122 cm

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No one can be able (Painted prayers and other chants)
I am absolutely convinced that there is no art without adventure. My adventure keeps finding its way within the regular borders delimiting a painting: in it, things happen, stories unfold, traditional means of time and space are disrupted, messages are encoded, mystery can be glimpsed. As it will be clear with this show, I have a certain inclination for risk. A harmless risk, nonetheless, but meaningful for someone who is just a painter. I step into the quicksands of visual narrative, of the anecdote and the metaphor.

I realized on the fly that through art I could try to fill the void left by disbelief. Others have achieved it. These prayers come from looking back at this internal conflict. The contemplation of these paintings requires to run one’s eyes over them. They are made up of several fragments that may be read in a ascendant or descendant way and each one of them makes sense once this glazing has happened and its content has been interiorized.

Curriculum

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