Equilibrio
170 x 40 x 12 cm
Painted Iron

Bajo la Mira
78 x 24 x 24 cm
Painted Iron

La ola
72 x 26 x 10 cm
Stainless Iron

Cambio
85 x 20 x 14 cm
Bronze

Humanidad
40 x 20 x 20 cm
Painted wood

Homenaje a Mérida
98 x 48 x 20 cm
Painted Iron

Vuelo
35 x 18 x 18 cm
Bronze

Maternidad
60 x 50 x 115 cm
Bronze

German Michel, since his youth, has taken a series of modules in his formation as a welder. Through time and his own clientele, he has been familiarizing himself with foreign works and examples: how do sculptors conceive and salve the creative processes from the sketch and the scale, to the final patina? How is it then that German Michel solves or proposes his own sculptures? On a first instance he chooses a geometric abstraction, which in its own way evokes nature. Emotionally, his need for order and harmony, without yielding to improvisation, nor the common place. Michel imposes on himself that the results correspond totally to the norms of a well-done manufacture (German is searching for his path). Historical convention defines sculpture as three–dimensional art. How is the theorem solved now in times of permissibility? “From Mazu’s reliefs as facts to the metal works of Chillida, there is a long way.