{"id":6440,"date":"2022-05-04T00:57:40","date_gmt":"2022-05-04T06:57:40","guid":{"rendered":"http:\/\/nmcontemporaneo.com\/beta\/?page_id=6440"},"modified":"2025-06-21T00:31:24","modified_gmt":"2025-06-21T06:31:24","slug":"kenia-cano","status":"publish","type":"page","link":"https:\/\/nmcontemporaneo.com\/en\/catalogue\/emerging-artists\/other-emerging-artists\/kenia-cano-en\/","title":{"rendered":"Kenia Cano"},"content":{"rendered":"<p style=\"text-align: center; font-family: Century Gothic;\"><a href=\"..\/yanieb-fabre\/\">&lt;&lt; Previous<\/a> | <a href=\"\/catalogo\/todos-los-artistas\/\">All Artists<\/a> | <a href=\"..\/maria-christine-camus\/\">Next &gt;&gt;<\/a><\/p>\n<div id=\"kad-wp-gallery451\" class=\"kad-wp-gallery gallery kt-gallery-column-1 init-isotope-intrinsic reinit-isotope kad-light-wp-gallery clearfix rowtight\" data-fade-in=\"1\" data-iso-selector=\".g_item\" data-iso-style=\"masonry\" data-iso-filter=\"false\"><div class=\"tcol-lg-12 tcol-md-12 tcol-sm-12 tcol-xs-12 tcol-ss-12 g_item\"><div class=\"grid_item kt_item_fade_in kad_gallery_fade_in gallery_item\"><a href=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen.jpg\" data-rel=\"lightbox\" class=\"lightboxhover\"><div class=\"kt-intrinsic\" style=\"padding-bottom:91.964285714286%;\"><div itemprop=\"image\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"515\" src=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen-560x515.jpg\" srcset=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen-560x515.jpg 560w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen-300x276.jpg 300w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen.jpg 978w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" data-caption=\"LA CASA DE BREMEN Y EL VESTIDO DE DOLORES, Encausto sobre vidrio, montado sobre cilindro de madera. \u00d820 cm\" class=\"light-dropshaddow\" itemprop=\"contentUrl\" alt=\"\"><meta itemprop=\"url\" content=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2015\/05\/KeniaCano_LaCasaDeBremen-560x515.jpg\"><meta itemprop=\"width\" content=\"560px\"><meta itemprop=\"height\" content=\"515px\"><\/div><\/div><div class=\"caption kad_caption\"><div class=\"kad_caption_inner\">LA CASA DE BREMEN Y EL VESTIDO DE DOLORES, Encausto sobre vidrio, montado sobre cilindro de madera. \u00d820 cm<\/div><\/div><\/a><\/div><\/div><\/div>\n<p><span style=\"font-weight: 400;\">It is a feminine genealogy from the hidden desires of the grandmother and the language of your wedding dress.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A subtle reference to the story of Andersen, the pile of animals and their search for a new sound.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kenya works from memories of women who have been influential in his life.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bremen house and Clothing Dolores tells a story where all the pieces have a purpose, projecting a part of itself without having to define a sense: the sense of things.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Each object represents a part of this story.<\/span><\/p>\n\n<div class=\"sp-wrap sp-wrap-default\">\n<div class=\"sp-head\" title=\"Expand\">\nCurriculum Vitae\n<\/div>\n<div class=\"sp-body folded\">\n<p><strong>Kenia Cano<\/strong><\/p>\n<p><strong>Studies<\/strong><br \/>\n2010 Course in Museology, Morelos Center for the Arts.<br \/>\n2000-03 Master of Arts, CIDHEM (Center for Research and Teaching in Humanities of the State of Morelos).<br \/>\n1990-1994 Degree of Science and Technical Communication, ITESM.<br \/>\n1997-1998 Contemporary French Poetry Course, University of Marseille in Aix-en-Provence, France.<\/p>\n<p><strong>Group exhibitions<\/strong><br \/>\n2013 40. The turbine, Tepoztlan.<br \/>\nImagine Canada. Turbine Ololiuqui, Tepoztlan.<br \/>\n2012 Tepoztl\u00e1n, Estado de Conciencia, Turbine, Tepoztlan.<br \/>\nPaz. Turbine, Tepoztlan.<br \/>\nUmbrales. Turbine, Tepoztlan.<br \/>\nEN LA SUITE DE LA CULEBRA, Drawings and poems, Turbine Ololiuqui Gallery, Tepoztlan.<br \/>\n2011 Nocturno Turbine Ololiuqui, Tepoztlan.<br \/>\n2010 Sexo, texto, blanco. Turbine Ololiuqui Gallery, Tepoztlan.<br \/>\nV\u00edrgenes Santas, V\u00edrgenes Locas. Turbine, Tepoztlan.<br \/>\n2009 Sal\u00f3n de Arte Visual Contempor\u00e1neo. Jard\u00edn Borda, Morelos.<br \/>\n2007 H2O, Traveling Group Exhibition of watercolors of Morelos<br \/>\nNo Se Puede Vivir Sin Amar. La Casona Spencer, Cuernavaca, Morelos.<\/p>\n<p><strong>Solo exhibitions<\/strong><\/p>\n<p>2012 Las Aves de Este D\u00eda. Gallery Freedom, Queretaro.<br \/>\n2009 Estos Son los P\u00e1jaros. Jard\u00edn Borda, Cuernavaca, Morelos.<br \/>\n2008 Cuaderno de los Gansos y Otras Oraciones. LITM Gallery, Nueva York.<br \/>\n2007 Artk\u00e9o # 1. Galerie Aix-Positions, Aix-en-Provence, Francia.<br \/>\n2004 Oraci\u00f3n de P\u00e1jaros. Zarco Gallery, Cuernavaca, Morelos.<br \/>\nFrancia.<\/p>\n<p><strong>Awards and honors<\/strong><br \/>\n2010 FIRST PRIZE IN CONTEMPORARY VISUAL ART ROOM with the work Siete Umbrales desde la antigua boca de Maha Devikayya.<br \/>\n2009 FIRST PRIZE IN THE HALL OF CONTEMPORARY VISUAL ART, Me gustan m\u00e1s los gansos que se esconden en mi sue\u00f1o, Morelos.<br \/>\n2002 FIRST PLACE IN THE STATE HALL OF WATERCOLOR with the book of poetry and painting El Templo de las Visitaciones 2, Jard\u00edn Borda, Cuernavaca, Morelos.<\/p>\n<div class=\"spdiv\">[collapse]<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>&lt;&lt; Previous | All Artists | Next &gt;&gt; LA CASA DE BREMEN Y EL VESTIDO DE DOLORES, Encausto sobre vidrio, montado sobre cilindro de madera. \u00d820 cm It is a feminine genealogy from the hidden desires of the grandmother and &hellip; <a class=\"kt-excerpt-readmore\" href=\"https:\/\/nmcontemporaneo.com\/en\/catalogue\/emerging-artists\/other-emerging-artists\/kenia-cano-en\/\" aria-label=\"Kenia Cano\">Read More<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":6418,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"page-fullwidth.php","meta":{"kt_blocks_editor_width":"","footnotes":""},"class_list":["post-6440","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/6440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/comments?post=6440"}],"version-history":[{"count":2,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/6440\/revisions"}],"predecessor-version":[{"id":14257,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/6440\/revisions\/14257"}],"up":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/6418"}],"wp:attachment":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media?parent=6440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}