{"id":9277,"date":"2022-09-12T20:43:55","date_gmt":"2022-09-13T02:43:55","guid":{"rendered":"http:\/\/nmcontemporaneo.com\/?page_id=9277"},"modified":"2025-06-21T00:57:24","modified_gmt":"2025-06-21T06:57:24","slug":"amador-montes","status":"publish","type":"page","link":"https:\/\/nmcontemporaneo.com\/en\/catalogue\/prints\/amador-montes-en\/","title":{"rendered":"Amador Montes"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"..\/kcho-alexis-leyva\/\">&lt;&lt; Ant.<\/a> | <a href=\"\/catalogo\/todos-los-artistas\/\">Artistas<\/a> | <a href=\"\/catalogo\/arte-emergente\/minerva-ayon\/\">Sig. &gt;&gt;<\/a><\/p>\n<div id=\"kad-wp-gallery14\" class=\"kad-wp-gallery gallery kt-gallery-column-3 init-isotope-intrinsic reinit-isotope kad-light-wp-gallery clearfix rowtight\" data-fade-in=\"1\" data-iso-selector=\".g_item\" data-iso-style=\"masonry\" data-iso-filter=\"false\"><div class=\"tcol-lg-4 tcol-md-4 tcol-sm-4 tcol-xs-6 tcol-ss-12 g_item\"><div class=\"grid_item kt_item_fade_in kad_gallery_fade_in gallery_item\"><a href=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV.jpg\" data-rel=\"lightbox\" class=\"lightboxhover\"><div class=\"kt-intrinsic\" style=\"padding-bottom:62.841530054645%;\"><div itemprop=\"image\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\"><img loading=\"lazy\" decoding=\"async\" width=\"366\" height=\"230\" src=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-366x230.jpg\" srcset=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-366x230.jpg 366w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-300x188.jpg 300w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-768x482.jpg 768w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-80x50.jpg 80w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-732x460.jpg 732w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV.jpg 784w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" data-caption=\"Nautilius IV,\nXilograf\u00eda, 119x210 cm, Edici\u00f3n de 20, 2013\" class=\"light-dropshaddow\" itemprop=\"contentUrl\" alt=\"\"><meta itemprop=\"url\" content=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-IV-366x230.jpg\"><meta itemprop=\"width\" content=\"366px\"><meta itemprop=\"height\" content=\"230px\"><\/div><\/div><div class=\"caption kad_caption\"><div class=\"kad_caption_inner\">Nautilius IV,\nXilograf\u00eda, 119&#215;210 cm, Edici\u00f3n de 20, 2013<\/div><\/div><\/a><\/div><\/div><div class=\"tcol-lg-4 tcol-md-4 tcol-sm-4 tcol-xs-6 tcol-ss-12 g_item\"><div class=\"grid_item kt_item_fade_in kad_gallery_fade_in gallery_item\"><a href=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI.jpg\" data-rel=\"lightbox\" class=\"lightboxhover\"><div class=\"kt-intrinsic\" style=\"padding-bottom:55.737704918033%;\"><div itemprop=\"image\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\"><img loading=\"lazy\" decoding=\"async\" width=\"366\" height=\"204\" src=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-366x204.jpg\" srcset=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-366x204.jpg 366w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-300x168.jpg 300w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-768x429.jpg 768w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-732x408.jpg 732w, https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI.jpg 938w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" data-caption=\"Nautilius VI,\nXilograf\u00eda, 119x210 cm, Edici\u00f3n de 20, 2013\" class=\"light-dropshaddow\" itemprop=\"contentUrl\" alt=\"\"><meta itemprop=\"url\" content=\"https:\/\/nmcontemporaneo.com\/wp-content\/uploads\/2025\/02\/Amador-Montes-Nautilius-VI-366x204.jpg\"><meta itemprop=\"width\" content=\"366px\"><meta itemprop=\"height\" content=\"204px\"><\/div><\/div><div class=\"caption kad_caption\"><div class=\"kad_caption_inner\">Nautilius VI,\nXilograf\u00eda, 119&#215;210 cm, Edici\u00f3n de 20, 2013<\/div><\/div><\/a><\/div><\/div><\/div>\n<p style=\"text-align: justify;\">Amador Montes (Oaxaca, Oaxaca, 1975). His work derives from the hybrid and mestizo imagery that characterizes contemporary Oaxacan art, so rich in referential images of myths, legends, and customs of the indigenous world, whose ancestral force remains alive and vibrant. The natural and animal worlds have been present in his painting in a variety of manifestations imbued with Luddism.<\/p>\n\n<div class=\"sp-wrap sp-wrap-default\">\n<div class=\"sp-head\" title=\"Expand\">\nCurriculum Vitae\n<\/div>\n<div class=\"sp-body folded\">\n<p><strong>Amador Montes<\/strong><\/p>\n<p>2014<br \/>\nAmador Montes.Graphic.National Lottery, Mexico City.<\/p>\n<p>Se llamaba Carmen. Doll House University Museum. Puebla, Mexico.<br \/>\nRecetario. Lamm House, Mexico City.<br \/>\nNautilus y otras formas. Veracruzana House of Culture and Teaching. The Antique, Veracruz, Mexico.<\/p>\n<p>2013 Nautilus. Oaxaca Painters Museum. Oaxaca, Mexico.<br \/>\nPresence of Oaxaca in Seville. Ateneo from Seville, Spain.<\/p>\n<p>2012<br \/>\nHomenaje. Senate of the Republic. Mexico City.<br \/>\nTrotalunas. Secretary of the Treasury Art Museum, The Archbishop old Palace, Mexico City.<br \/>\nACTOS. Lamm House Gallery. Mexico City.<br \/>\nTapiz. Doll House University Museum. Puebla, Mexico.<\/p>\n<p>2010<br \/>\nHabitantes y paisaje. Amador Montes and Abelardo Lopez. Blanquis Gallery, Mexico City.<br \/>\nUno de Uno. Misrachi Gallery, Mexico City.<br \/>\nRetablos. Guadalajara Regional Museum. Jalisco, Mexico.<br \/>\nExpediciones. Amador Montes y Alberto Aragon. Cultural Center. The Old Convent of San Francisco. Granada, Nicaragua.<br \/>\nAves Urbanas. Drexel Gallery. Nuevo Leon, Mexico.<br \/>\nReencuentro. International Museum of Art and Science. McAllen, Texas.<br \/>\nTiempos Recientes. Mixtecan University of Technology Oaxaca, Mexico.<br \/>\nComiendo Amor. Art Gallery from the University Cultural Complex, Puebla, Mexico.<\/p>\n<p>2009<br \/>\nVolver al Origen. De la Sierra Juarez University, Oaxaca, Mexico.<br \/>\nObra Reciente. Pacific Design Center, Baja California Sur, Mexico.<br \/>\nCr\u00f3nicas Personales. Blanquis Urban Gallery, Mexico City.<\/p>\n<p>2008<br \/>\nImpresiones. The Greco Gallery, Veracruz Mexico.<br \/>\nInstallation: La Construcci\u00f3n. University Cultural Center, Oaxaca, Mexico.<br \/>\nBabel-nadie entiende a nadie. Alberto Misrachi Gallery, Mexico City.<br \/>\nMemorias. PICI Gallery, Seul, South Corea.<br \/>\nAmador Montes Last work. Corsica Gallery, Jalisco, Mexico.<\/p>\n<p>2007 Y sin embargo no puedo dejar de so\u00f1ar. Art Gallery of Oaxaca, Oaxaca, Mexico<\/p>\n<p>2006 Animalerias. Oaxaca Painters Museum. Oaxaca, Mexico.<\/p>\n<p>2005<br \/>\nUn sue\u00f1o para Carmen, Gradiva Gallery, Jalisco, Mexico.<br \/>\nPecados y Virtudes. Mexico Space at Montreal, Montreal, Canada.<br \/>\nTres Tiempos. Oscar Roman Gallery, Mexico City.<br \/>\nPecados y Virtudes. Mayordomo House, Oaxaca, Mexico.<br \/>\nUn hombre llamado Andr\u00e9s. Art Gallery of Oaxaca. Oaxaca, Mexico.<br \/>\nCuentos y arboledas. Culture House at Oaxaca, Oaxaca, Mexico.<\/p>\n<p>2004<br \/>\nDi\u00e1logos Confusos. Gradiva Gallery, Jalisco, Mexico.<br \/>\nCartas a Maricela. Gallery Art from Oaxaca, Oaxaca, Mexico.<br \/>\nAmador Montes. Holiday Inn Hotel, Yucatan, Mexico.<\/p>\n<p>2003 Provocaciones al papel, Gallery Art from Oaxaca, Oaxaca, Mexico.<br \/>\nAusencias y Crisis de tantos sue\u00f1os. Lithography Workshop, Oaxaca, Mexico.<\/p>\n<p style=\"font-weight: 400;\"><strong>Collections<\/strong><\/p>\n<p style=\"font-weight: 400;\">From the Gallery of the Benemerita Universidad Autonoma de Puebla (BUAP), Pu\u00e9bla, Mexico.<\/p>\n<p style=\"font-weight: 400;\">International Museum of Art and Science. McAllen, Texas.<\/p>\n<p style=\"font-weight: 400;\">Collection from the Secretaria de Hacienda y Cr\u00e9dito P\u00fablico. Ciudad de Mexico.<\/p>\n<p style=\"font-weight: 400;\">Collection from the Universidad Tecnol\u00f3gica de la Mixteca, Oaxaca, Mexico.<\/p>\n<div class=\"spdiv\">[collapse]<\/div>\n<\/div>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>&lt;&lt; Ant. | Artistas | Sig. &gt;&gt; Nautilius VI, Xilograf\u00eda, 119&#215;210 cm, Edici\u00f3n de 20, 2013Nautilius IV, Xilograf\u00eda, 119&#215;210 cm, Edici\u00f3n de 20, 2013 Amador Montes (Oaxaca, Oaxaca, 1975). His work derives from the hybrid and mestizo imagery that characterizes &hellip; <a class=\"kt-excerpt-readmore\" href=\"https:\/\/nmcontemporaneo.com\/en\/catalogue\/prints\/amador-montes-en\/\" aria-label=\"Amador Montes\">Read More<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":594,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":{"kt_blocks_editor_width":"","footnotes":""},"class_list":["post-9277","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/9277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/comments?post=9277"}],"version-history":[{"count":3,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/9277\/revisions"}],"predecessor-version":[{"id":14268,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/9277\/revisions\/14268"}],"up":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/pages\/594"}],"wp:attachment":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media?parent=9277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}