{"id":3070,"date":"2011-05-23T14:47:43","date_gmt":"2011-05-23T19:47:43","guid":{"rendered":"http:\/\/nmcontemporaneo.com\/?p=3070"},"modified":"2025-06-20T01:02:35","modified_gmt":"2025-06-20T07:02:35","slug":"stanley-shoemaker","status":"publish","type":"post","link":"https:\/\/nmcontemporaneo.com\/en\/stanley-shoemaker\/","title":{"rendered":""},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<div id=\"vlightbox\">\n<table width=\"575\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nDerrame Economico, 2011\nPrint on photographic paper\n20 x 30 in\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/derrameeconomico.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/derrameeconomico.jpg\" alt=\"Stanley Shoemaker\" \/><\/a><br \/>\nDerrame Economico<br \/>\n20 x 30 in<br \/>\nPrint on photographic paper<\/td>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nDicotom\u00eda cultural\nPrint on photographic paper\n28.5 X 40 cm\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/dicotomiacultural.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/dicotomiacultural.jpg\" alt=\"Stanley Shoemaker\" \/><\/a><br \/>\nDicotom\u00eda cultural<br \/>\n28.5 X 40 cm<br \/>\nPrint on photographic paper<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nEn Extinci\u00f3n, 2011.\nPrint on photographic paper\n20 x 30 in\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/enextincion.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/enextincion.jpg\" alt=\"Stanley Shoemaker\" \/><\/a><br \/>\nEn Extinci\u00f3n<br \/>\n20 x 30 in<br \/>\nPrint on photographic paper<\/td>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nPasillo Urbano, 2011.\nPrint on photographic paper\n20 x 30 in\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/pasilloorganico.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/pasilloorganico.jpg\" alt=\"Stanley Shoemaker\"\/><\/a><br \/>\nPasillo Urbano<br \/>\n20 x 30 in<br \/>\nPrint on photographic paper<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nLa fractura cat\u00f3lica, 2011.\nPrint on photographic paper\n20 x 30 in\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/lafracturacatolica.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/lafracturacatolica.jpg\" alt=\"Stanley Shoemaker\" \/><\/a><br \/>\nLa fractura cat\u00f3lica, 2011.<br \/>\n20 x 30 in<br \/>\nPrint on photographic paper<\/td>\n<td valign=\"top\" width=\"250\"><a class=\"vlightbox\" title=\"Stanley Shoemaker\nSupercarretera\n28.5 X 40 cm\nPrint on photographic paper\" href=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/supercarretera.jpg\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/images\/catalogo\/stanleyshoemaker\/th\/supercarretera.jpg\" alt=\"Stanley Shoemaker\" \/><\/a><br \/>\nSupercarretera<br \/>\n28.5 X 40 cm<br \/>\nPrint on photographic paper<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a id=\"vlb-3columnas\" href=\"http:\/\/visuallightbox.com\">Photo Gallery Webpage by VisualLightBox.com v3.1m<\/a><script type=\"text\/javascript\" src=\"http:\/\/nmcontemporaneo.com\/images\/galerias\/abelardofavela\/engine\/js\/visuallightbox.js\"><\/script><\/div>\n<p>KODAK ENDURA Metallic VC Paper<br \/>\nPrinted at Digital Pro Lab, San Antonio TX<br \/>\nLab approved by the PPA<\/p>\n<p style=\"text-align:justify\">Highlighting through contrast. Showing the absurd by means of a parallelism of the opposite reality. Awakening reason through an image that contains a non-symbol. These are some of the question that the Mexican Stanley Shoemaker poses through the digital compositing that he makes on black and white images since five years ago.<\/p>\n<p style=\"text-align:justify\"> According to the photographer, the images intentions, besides the obvious cultural, social and economic contrast, are to make clear that what we see in them may become real, given the homogenizing process at every level that we are living in, but that hasn\u2019t been able to heal the differences between first and third world countries. On the other hand, Shoemaker considers that there are different religions in the world whose promises for human kind are the same: a state of fulfillment, be it in heaven or nirvana,; but they ultimately agree in virtue and distance, which, paradoxically, cause so many conflicts.<\/p>\n<p><a style=\"text-decoration: none; color: #48494b;\" onclick=\"xcollapse('X7720');return false;\" href=\"http:\/\/nmcontemporaneo.com\/?p=520#\">Curriculum<\/a><\/p>\n<div id=\"X7720\" style=\"display: none; background: transparent;\">\n<strong>Education<\/strong><br \/>\nArt history workshop NL Monterrey MARCO Museum 2001<br \/>\nPainting Workshop in Monterrey MARCO N.L. 2002<br \/>\nGraduate professional photographer produces images 2005.<br \/>\nStreetscape workshop taught by Yolanda Andrade 2007.<br \/>\nLighting workshop taught by Elsa Escamilla 2008.<br \/>\nDocumentary photography workshop taught by Guillermo Wusterhausen 2008.<\/p>\n<p><strong>Expos<\/strong><br \/>\nCollective urban landscape &#8220;2007, Morelia, Michoacan.<br \/>\nCollective expo pinhole &#8220;2008 Morelia Michoacan.<br \/>\nCollective Peace is so in Mexico &#8220;2007, Morelia, Michoacan, Monterrey, Nuevo Leon, Chihuahua Chihuhua.<br \/>\nIndividual Expo &#8220;and Realities&#8221; 2010, Televisa, Monterrey Nuevo Leon.<br \/>\nhttp:\/\/www.youtube.com\/watch?v=EQxmZD8tqrw<br \/>\nCollective Slanted Glances: Interpretations of idiosyncratic<br \/>\nIndependence &amp; Revolution in Mexico &#8220;2010, San Antonio Texas USA\n<\/div>\n","protected":false},"author":25,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3070","post","type-post","status-publish","format-standard","hentry","category-without-category"],"_links":{"self":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/3070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/comments?post=3070"}],"version-history":[{"count":2,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/3070\/revisions"}],"predecessor-version":[{"id":14179,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/3070\/revisions\/14179"}],"wp:attachment":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media?parent=3070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/categories?post=3070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/tags?post=3070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}