{"id":6556,"date":"2010-05-08T11:36:50","date_gmt":"2010-05-08T17:36:50","guid":{"rendered":"http:\/\/nmcontemporaneo.com\/beta\/?p=6556"},"modified":"2025-06-20T01:02:40","modified_gmt":"2025-06-20T07:02:40","slug":"nm04","status":"publish","type":"post","link":"https:\/\/nmcontemporaneo.com\/en\/nm04\/","title":{"rendered":""},"content":{"rendered":"<p>&nbsp;<br \/>\n<center><\/p>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px; width: 550px;\" valign=\"middle\">\n<table style=\"margin: 0px; padding: 0px; width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px; width: 550px;\" colspan=\"2\" valign=\"top\">\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 0.0px 0.0px 0.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"padding: 0px; width: 550px;\" colspan=\"2\" valign=\"middle\">\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px; width: 550px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 12.0px Helvetica;\"><a href=\"http:\/\/www.nmcontemporaneo.com\/\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NMBanner_1.jpg\" alt=\"\" width=\"550\" \/><\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 0.0px 0.0px 0.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 550px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 12.0px Helvetica;\"><a href=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/Galeria_4\/\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Galeria.jpg\" alt=\"Galer\u00eda Alberto Monta\u00f1o\" width=\"530\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 16.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/Galeria_4\/\">[ d\u00e9 click para ver galer\u00eda de im\u00e1genes ]<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 37.0px Trebuchet MS; color: #173233;\">Alberto Monta\u00f1o<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Trebuchet MS; color: #173233;\">La producci\u00f3n art\u00edstica de Alberto Monta\u00f1o surge desde una conciencia clara en la constante re-creaci\u00f3n de las obras a trav\u00e9s del espectador. El artista sabe que su trabajo viajar\u00e1 a trav\u00e9s de la mirada de quien las contempla, pasando por su mente, afectada por su historia de vida a trav\u00e9s de innumerables universos que moran en la vida de quienes lo reciben. Perfectamente ubicado en su momento hist\u00f3rico y social, Alberto Monta\u00f1o se hace camino entre la apreciaci\u00f3n de los espectadores para remover conciencias, cuestionar percepciones y creencias, buscando, tal vez, despertar ideas y descubrir horizontes m\u00e1s amplios.. <span style=\"font: 12.0px Trebuchet MS;\">[ <a href=\"http:\/\/www.luciernagaestudio.com\/NatMex\/AlbertoMontano_files\/AlbertoMontano.pdf\"><span style=\"color: #0016e6;\">m\u00e1s&#8230;<\/span><\/a> ]<\/span><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 9.0px Trebuchet MS; color: #173233;\">[ <a href=\"http:\/\/www.luciernagaestudio.com\/NatMex\/AlbertoMontano_files\/AlbertoMontano.pdf\" target=\"blank\"><span style=\"text-decoration: underline;\">texto completo<\/span><\/a> ]\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 100.0px 0.0px 0.0px; font: 14.0px Trebuchet MS; color: #333333;\"><img decoding=\"async\" class=\"alignleft\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/solo-venus-color.gif\" alt=\"Estudio Alberto Monta\u00f1o\" width=\"100\" \/><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 14.0px Trebuchet MS; color: #333333;\">Para visitar el estudio de Alberto Monta\u00f1o, ponte en contacto con la galer\u00eda:<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 14.0px Trebuchet MS; color: #173233;\"><a href=\"mailto:carmenrosa@nmcontemporaneo.com\">[ carmenrosa@nmcontemporaneo.com ]<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 14.0px Trebuchet MS; color: #173233;\"><a href=\"mailto:frank@nmcontemporaneo.com\">[ frank@nmcontemporaneo.com<\/a> <span style=\"color: #333333;\">]<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"padding: 7px 0px; width: 550px;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 7px; width: 250px;\" valign=\"top\">\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 250px; background-color: #dc4419;\" border=\"0\" width=\"250.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 250px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Verdana; color: #ffffff;\">Tate Britain<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1733\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Tate_Britain.jpg\" alt=\"Tate Britain\" width=\"166\" height=\"125\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #ffffff;\">La galer\u00eda Tate Britain expone la colecci\u00f3n m\u00e1s amplia de arte brit\u00e1nico a nivel mundial. Se puede contemplar y estudiar m\u00e1s de 550 a\u00f1os de creatividad, incluyendo las obras de los artistas brit\u00e1nicos m\u00e1s famosos, desde JMW Turner, Thomas Gainsborough, John Constable, los prerrafaelistas y William Blake, hasta David Hockney, Francis Bacon, y las obras de arte contempor\u00e1neo que figuran en la serie de &#8216;Art Now&#8217;.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 250px; background-color: #e26f1e;\" border=\"0\" width=\"385.0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 250px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Trebuchet MS; color: #ffffff;\">Brit Artists<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1736\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Brit_Art.jpg\" alt=\"Brit Artists\" width=\"166\" height=\"110\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Trebuchet MS; color: #ffffff;\">Young British Artists \u00ab J\u00f3venes artistas brit\u00e1nicos\u00bb es un grupo de artistas contempor\u00e1neos del Reino Unido, provenientes la mayor\u00eda del Goldsmith college of arts de Londres.<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Trebuchet MS; color: #ffffff;\">La expresi\u00f3n \u00abYoung British Artist\u00bb procede de una serie de exposiciones con este nombre, organizadas en la galer\u00eda Saatchi a partir de 1992, que lanz\u00f3 a estos artistas a la fama. Destacaron por su \u00abt\u00e1ctica de choque\u00bb, el uso de materiales inusuales y de animales. Obtuvieron una amplia cobertura en los medios de comunicaci\u00f3n y dominaron el arte brit\u00e1nico durante los a\u00f1os noventa del siglo XX.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 250px; background-color: #444444;\" border=\"0\" width=\"250.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 250px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Trebuchet MS; color: #ffffff;\">Keith Tyson<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1738\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Keith_Tyson.jpg\" alt=\"Keith Tyson\" width=\"166\" height=\"130\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #ffffff;\">Keith Tyson es un artista brit\u00e1nico galardonado con el Premio Turner. Trabaja con un amplio rango de medios, incluyendo pintura, dibujo e instalaci\u00f3n. Es igualmente renombrado por sus series pict\u00f3ricas -&#8220;Nature Paintings&#8221;-, como por sus esculturas e instalaciones a gran escala &#8211;<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #ffffff;\">&#8220;Large Field Array&#8221;. El trabajo de Keith Tyson se caracteriza por una exploraci\u00f3n art\u00edstica de algunos de los misterios b\u00e1sicos de la experiencia humana.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"padding: 0px 7px; width: 265px;\" valign=\"top\">\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 265px; background-color: #2c0905;\" border=\"0\" width=\"265.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 265px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Trebuchet MS; color: #ffffff;\">Turner<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\">y los Maestros<\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Trebuchet MS; color: #ffffff;\">23 sept 2009 &#8211; 21 ene 2010<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1742\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Turner.jpg\" alt=\"Turner y los maestros\" width=\"166\" height=\"125\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Trebuchet MS; color: #ffffff;\">La popular confusi\u00f3n entre genialidad y locura es m\u00e1s patente que nunca en la biograf\u00eda de Joseph Mallord William Turner (1775-1851). Pintor acad\u00e9mico en sus principios, Turner fue lenta pero imparablemente evolucionando hacia un estilo libre, atmosf\u00e9rico , en ocasiones esbozando incluso la abstracci\u00f3n, que fue incomprendido y rechazado por unos cr\u00edticos que llevaban d\u00e9cadas admir\u00e1ndolo.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 265px; background-color: #b13e15;\" border=\"0\" width=\"265.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 265px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Trebuchet MS; color: #ffffff;\">Land Art<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1745\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Land_Art.jpg\" alt=\"Land Art\" width=\"166\" height=\"133\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #ffffff;\">El land art es una corriente art\u00edstica surgida a finales de los a\u00f1os sesenta que tiene como fin trasladar el trabajo art\u00edstico a los espacios naturales, los cuales son transformados por el pensamiento y la acci\u00f3n del artista.<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 265px; background-color: #571109;\" border=\"0\" width=\"265.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 265px;\" valign=\"top\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 24.0px Trebuchet MS; color: #ffffff;\">Marcel Duchamp<\/p>\n<p style=\"font: normal normal normal 12px\/normal Helvetica; text-align: center; margin: 0px;\"><a href=\"http:\/\/nmcontemporaneo.com\/?p=1738\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/nmcontemporaneo.com\/Newsletters\/Boletines\/NatMex_04_files\/Marcel_Duchamp.jpg\" alt=\"Marcel Duchamp\" width=\"125\" height=\"184\" \/><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\">&#8220;Contra toda opini\u00f3n, no son los pintores sino los espectadores quienes hacen los cuadros&#8221;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #6569f8;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\">Agenda Cultural &gt;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\">10 sept &#8211; 01 nov 09 &gt; <a href=\"http:\/\/www.bellasartes.gob.mx\/\"><strong>El Greco<\/strong> &gt; Palacio de Bellas Artes<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\">26 ago &#8211; 08 nov 09 &gt; <a href=\"http:\/\/www.franzmayer.org.mx\/index2.php?objetivo=temporales\"><strong>300% Dise\u00f1o Espa\u00f1ol<\/strong> &gt; Museo Franz Mayer<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\">17 sept 09 &#8211; 30 ene 10 &gt; <a href=\"http:\/\/www.soumaya.com.mx\/index.html\"><strong>Dolores del R\u00edo. La encantadora de c\u00e1maras<\/strong> &gt; Museo Soumaya<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\">21 ago 09 &#8211; 31 ene 10 &gt; <a href=\"http:\/\/www.sanildefonso.org.mx\/expos\/antonygormley\/\"><strong>Antony Gormley<\/strong> <span style=\"text-decoration: underline;\">&gt; Antiguo Colegio de San Ildefonso<\/span><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 10.0px Trebuchet MS; color: #0016e6;\"><span style=\"color: #173233;\">[<a href=\"http:\/\/www.ecultura.gob.mx\/cartelera\/\"><span style=\"color: #0016e6;\">m\u00e1s<\/span><\/a>]<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #c09dfa;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\">Calendario de arte en el mundo &gt;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/tica-albania.org\/TICAB\/\">18 sept &#8211; 22 oct 09 &gt; <span style=\"font: 12.0px Trebuchet MS;\"><strong>Tirana International Contemporary Art Biannual<\/strong><\/span> <span style=\"text-decoration: underline;\">&gt; Albania<\/span><\/a><\/span><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.ft2009.org\/en\/index.html\">5 sept &#8211; 23 nov 2009 &gt; <strong>4\u00aa Fukuoka Trienal de Arte Asi\u00e1tico<\/strong> &gt; Fukoka, Jap\u00f3n<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.biennaledelyon.com\/contemporaryart2009\/\">16 sept 09 &#8211; 03 ene 10 &gt; <strong>10\u00aa Bienal de Lyon<\/strong> &gt; Lyon, Francia<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.tate.org.uk\/britain\/exhibitions\/turnerandthemasters\/default.shtm\">23 sept 09 &#8211; 21 ene 10 &gt; <span style=\"font: 12.0px Trebuchet MS;\"><strong>Turner y los Maestros<\/strong><\/span> <span style=\"text-decoration: underline;\">&gt; Londres, UK<\/span><\/a><\/span><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 10.0px Trebuchet MS; color: #0016e6;\"><span style=\"color: #000000;\">[<a href=\"http:\/\/www.universes-in-universe.de\/espanol.htm\">m\u00e1s<\/a>]<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #a7cacb;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\">Recomendaciones (literatura, cine, m\u00fasica) &gt;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/centrodelaimagen.conaculta.gob.mx\/\">Museo &gt; <strong>Centro de la Imagen<\/strong><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.ameditores.com\/espanol\/catalogo\/coc-mopa.htm\">Libro &gt; <strong>Sabores en la Cocina de M\u00f3nica Pati\u00f1o<\/strong>. AM Editores<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.sonypictures.com\/classics\/allaboutmymother\/frames.html\">Cine &gt; <strong>Todo sobre mi madre<\/strong>. Dir. Pedro Almodovar<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.chrisbotti.com\/home.html\">M\u00fasica &gt; <strong>Chris Botti in Boston<\/strong>. Chris Botti. 2009<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.sho.com\/site\/tudors\/home.do\">DVD &gt; <strong>The Tudors<\/strong>. Michael Hirst. Showtime<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\">Video &gt; <a href=\"http:\/\/www.youtube.com\/watch?v=a7Ny5BYc-Fs&amp;feature=player_embedded\"><strong>Defining innovation<\/strong><span style=\"text-decoration: underline;\">. BMW (Sud\u00e1frica)<\/span><\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Trebuchet MS; color: #173233;\"><a href=\"http:\/\/www.designtaxi.com\/\">Sitio Web &gt; <strong>Taxi<\/strong>. The Global Creative Network<\/a><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #571233;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 5px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 18.0px Trebuchet MS; color: #ffffff;\"><span style=\"font: 12.0px Trebuchet MS;\"><a href=\"mailto:contacto@nmcontemporaneo.com\"><span style=\"font: 18.0px Trebuchet MS; color: #ffffff;\">Env\u00edanos tus comentarios<\/span><\/a><\/span> &gt;<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"margin: 0px 0px 25px; padding: 10px 0px; width: 550px; background-color: #ffffff;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0px 10px; width: 550px;\" valign=\"middle\">\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Trebuchet MS; color: #173233;\"><a href=\"mailto:carmenrosa@nmcontemporaneo.com\">[ carmenrosa@nmcontemporaneo.com ]<\/a><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Trebuchet MS; color: #173233;\"><a href=\"mailto:frank@nmcontemporaneo.com\">[ frank@nmcontemporaneo.com<\/a> <span style=\"color: #333333;\">]<\/span><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 16.0px Trebuchet MS; color: #173233;\"><span style=\"color: #333333;\">[ <a href=\"http:\/\/nmcontemporaneo.com\"><span style=\"font: 16.0px Trebuchet MS; color: #173233;\">Cat\u00e1logo NM Contempor\u00e1neo, Galer\u00eda de Arte<\/span><\/a> ]<\/span><\/p>\n<p style=\"margin: 0.0px 0.0px 0.0px 0.0px; text-align: right; font: 9.0px Trebuchet MS; color: #173233;\">\u00a92010 NM Contempor\u00e1neo<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 550px; background-color: #2c0905;\" border=\"0\" width=\"550.0px\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"padding: 0.0px 5.0px 0.0px 5.0px;\" valign=\"middle\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: 'Century Gothic', Century Gothic, regular; font-size: 12px; color: #003333;\"> <\/span><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; [ d\u00e9 click para ver galer\u00eda de im\u00e1genes ] Alberto Monta\u00f1o La producci\u00f3n art\u00edstica de Alberto Monta\u00f1o surge desde una conciencia clara en la constante re-creaci\u00f3n de las obras a trav\u00e9s del espectador. El artista sabe que su trabajo &hellip; <a class=\"kt-excerpt-readmore\" href=\"https:\/\/nmcontemporaneo.com\/en\/nm04\/\" aria-label=\"\">Read More<\/a><\/p>\n","protected":false},"author":25,"featured_media":7746,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","footnotes":""},"categories":[62],"tags":[],"class_list":["post-6556","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsletter"],"_links":{"self":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/6556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/comments?post=6556"}],"version-history":[{"count":1,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/6556\/revisions"}],"predecessor-version":[{"id":14000,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/6556\/revisions\/14000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media\/7746"}],"wp:attachment":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media?parent=6556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/categories?post=6556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/tags?post=6556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}