{"id":877,"date":"2010-02-10T05:26:49","date_gmt":"2010-02-10T11:26:49","guid":{"rendered":"http:\/\/nmcontemporaneo.com\/?p=877"},"modified":"2025-06-20T01:02:41","modified_gmt":"2025-06-20T07:02:41","slug":"fidel-figueroa","status":"publish","type":"post","link":"https:\/\/nmcontemporaneo.com\/en\/fidel-figueroa\/","title":{"rendered":""},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"\n
\n\n\n\n
\"sirena\"<\/a><\/p>\n

Sirena en espera de Ulises
\nOil on Canvas
\n210 x 70 cm<\/td>\n

\"dewallen\"<\/a><\/p>\n

De Wallen, la ventana indiscreta
\nOil amd acrilic on Canvas
\n150 x 100 cm<\/td>\n<\/tr>\n

\"aharddaysnight\"<\/a><\/p>\n

A Hard Day’s Night
\nOil and acrilic on Canvas
\n150 x 100 cm<\/td>\n

\"El<\/a><\/p>\n

El Mono Gamo
\nOil amd acrilic on Canvas
\n100 x 150 cm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
My inspiration comes from everything that I know and what is new is the interior and exterior look. My concern is the emotional emptiness, lack of self-knowledge and individual acceptance. I need as a unique and individual, to find my voice in a group of voices each time wider. Is self-knowledge that leads me to this voice, and learn to listen to me, so I find my space, my individual power within a society that is global. This voice is an orchestra of sounds full of colors and flavors, is positive and negative, is real and is a dream, active and passive, is antagonistic because it is dual.<\/p>\n

My work reflects this personal struggle, this antagonism, the duality, which leads us to the emotions and attitudes that define us, we project abroad, and suggests a reunion with the internal dialogue as the need for growth and development. Also, the book describes the moment we opened the doors to these attitudes and emotions, when I decide to try and be tried, love, hate, in pleasure and pain. It is the human figure in the play is who represents these emotions and attitudes, intangibles in life, the other elements are the union to what we felt.<\/p>\n

A decade of strokes and is only the beginning …<\/p>\n

Christian Mart\u00ccn del Campo.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Curriculum<\/a><\/p>\n

\n

1976 born in Mexico City.<\/p>\n

Exhibitions<\/p>\n

2008 Cultural Center and Museum The Workshops, Cuernavaca, Mexico.<\/p>\n

2008 April in May, Gallery Nature Gallery Horses and Mexico.<\/p>\n

2004 Hotel Intercontinental, Mexico City, Mexico.<\/p>\n

2004 Tala’s Auction, Houston Tx.<\/p>\n

2003 Salon de la Plastica Mexicana, Mexico City, Mexico.<\/p>\n

The 4th Biennial 2003 Puebla de los \u00c1ngeles, Universidad Iberoamericana, Puebla, Mexico.<\/p>\n

2003 CarnaVe Festival, Houston, Tx.<\/p>\n

2003 University Cultural Centre, Cuernavaca, Mexico.<\/p>\n

2003 Memories Tour show in Germany and France.<\/p>\n

2002 Tala’s Auction, Houston Tx.<\/p>\n

2001 Pascal Robinson Gallery, Houston, Tx .*<\/p>\n

Gallery 2000 University Tower, UAEM, Cuernavaca, Mexico.<\/p>\n

1999 Casa de la Cultura Reyes Heroles, Mexico City, Mexico.<\/p>\n

1999 Center for the Arts Morelos, Cuernavaca, Mexico.<\/p>\n

1999 Del Sol Gallery, Miami, FL<\/p>\n

1998 Esplanade ITESM Mexico City, Mexico.<\/p>\n

1997 Universidad de las Americas, Puebla, Mexico.<\/p>\n

1997 Universidad Iberoamericana, Puebla, Mexico.<\/p>\n

* Solo exhibitions. (Select)<\/p>\n

Auctions<\/p>\n

2004 Tala’s Auction, Houston, Tx.<\/p>\n

2004 Hotel Intercontinental, Mexico City, Mexico.<\/p>\n

2002 Tala’s Auction, Houston, Tx.<\/p>\n

Workshops<\/p>\n

2005 Development of “apantles” ongoing creative development of children through the arts, Pablo Delgado.<\/p>\n

2003 Art Workshop with Carla Hernandez, Gabriela Cauduro and Eduardo Alvarez.<\/p>\n

Publications<\/p>\n

2003 “Between Places”, M Magazine, June.<\/p>\n

2002 “Together, not stirred”, Art and Culture, Diario de Morelos, November.<\/p>\n

Education<\/p>\n

1998-2000 Anatomy and Human Figure Drawing, CMA, Cuernavaca, Mexico<\/p>\n

1997-98 Fine Arts, UDLA, Cholula, Mexico.<\/p>\n

1996 Communication Sciences, ITESM, Cuernavaca, Mexico.<\/p>\n

1996-98 Photography, Active School of Photography, Cuernavaca, Mexico<\/p>\n<\/div>\n

\"sirena\"<\/a><\/p>\n

Sirena en espera de Ulises<\/p>\n

Oil on Canvas<\/p>\n

210 x 70 cm<\/td>\n

\"dewallen\"<\/a><\/p>\n

De Wallen, la ventana indiscreta<\/p>\n

Oil amd acrilic on Canvas<\/p>\n

150 x 100 cm<\/td>\n<\/tr>\n

\"aharddaysnight\"<\/a><\/p>\n

A Hard Day’s Night<\/p>\n

Oil amd acrilic on Canvas<\/p>\n

150 x 100 cm<\/td>\n

\"El<\/a><\/p>\n

El Mono Gamo<\/p>\n

Oil amd acrilic on Canvas<\/p>\n

100 x 150 cm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

My inspiration comes from everything that I know and what is new is the interior and exterior look. My concern is the emotional emptiness, lack of self-knowledge and individual acceptance. I need as a unique and individual, to find my voice in a group of voices each time wider. Is self-knowledge that leads me to this voice, and learn to listen to me, so I find my space, my individual power within a society that is global. This voice is an orchestra of sounds full of colors and flavors, is positive and negative, is real and is a dream, active and passive, is antagonistic because it is dual.<\/p>\n

My work reflects this personal struggle, this antagonism, the duality, which leads us to the emotions and attitudes that define us, we project abroad, and suggests a reunion with the internal dialogue as the need for growth and development. Also, the book describes the moment we opened the doors to these attitudes and emotions, when I decide to try and be tried, love, hate, in pleasure and pain. It is the human figure in the play is who represents these emotions and attitudes, intangibles in life, the other elements are the union to what we felt.<\/P><\/p>\n

A decade of strokes and is only the beginning …<\/p>\n

Christian Mart\u00ccn del Campo.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Curriculum<\/a><\/p>\n

\n

1976 born in Mexico City.<\/p>\n

Exhibitions<\/p>\n

2008 Cultural Center and Museum The Workshops, Cuernavaca, Mexico.<\/p>\n

2008 April in May, Gallery Nature Gallery Horses and Mexico.<\/p>\n

2004 Hotel Intercontinental, Mexico City, Mexico.<\/p>\n

2004 Tala’s Auction, Houston Tx.<\/p>\n

2003 Salon de la Plastica Mexicana, Mexico City, Mexico.<\/p>\n

The 4th Biennial 2003 Puebla de los \u00c1ngeles, Universidad Iberoamericana, Puebla, Mexico.<\/p>\n

2003 CarnaVe Festival, Houston, Tx.<\/p>\n

2003 University Cultural Centre, Cuernavaca, Mexico.<\/p>\n

2003 Memories Tour show in Germany and France.<\/p>\n

2002 Tala’s Auction, Houston Tx.<\/p>\n

2001 Pascal Robinson Gallery, Houston, Tx .*<\/p>\n

Gallery 2000 University Tower, UAEM, Cuernavaca, Mexico.<\/p>\n

1999 Casa de la Cultura Reyes Heroles, Mexico City, Mexico.<\/p>\n

1999 Center for the Arts Morelos, Cuernavaca, Mexico.<\/p>\n

1999 Del Sol Gallery, Miami, FL<\/p>\n

1998 Esplanade ITESM Mexico City, Mexico.<\/p>\n

1997 Universidad de las Americas, Puebla, Mexico.<\/p>\n

1997 Universidad Iberoamericana, Puebla, Mexico.<\/p>\n

* Solo exhibitions. (Select)<\/p>\n

Auctions<\/p>\n

2004 Tala’s Auction, Houston, Tx.<\/p>\n

2004 Hotel Intercontinental, Mexico City, Mexico.<\/p>\n

2002 Tala’s Auction, Houston, Tx.<\/p>\n

Workshops<\/p>\n

2005 Development of “apantles” ongoing creative development of children through the arts, Pablo Delgado.<\/p>\n

2003 Art Workshop with Carla Hernandez, Gabriela Cauduro and Eduardo Alvarez.<\/p>\n

Publications<\/p>\n

2003 “Between Places”, M Magazine, June.<\/p>\n

2002 “Together, not stirred”, Art and Culture, Diario de Morelos, November.<\/p>\n

Education<\/p>\n

1998-2000 Anatomy and Human Figure Drawing, CMA, Cuernavaca, Mexico<\/p>\n

1997-98 Fine Arts, UDLA, Cholula, Mexico.<\/p>\n

1996 Communication Sciences, ITESM, Cuernavaca, Mexico.<\/p>\n

1996-98 Photography, Active School of Photography, Cuernavaca, Mexico<\/p>\n<\/div>\n","protected":false},"author":25,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-877","post","type-post","status-publish","format-standard","hentry","category-without-category"],"_links":{"self":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/comments?post=877"}],"version-history":[{"count":2,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/877\/revisions"}],"predecessor-version":[{"id":14210,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/posts\/877\/revisions\/14210"}],"wp:attachment":[{"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/media?parent=877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/categories?post=877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nmcontemporaneo.com\/en\/wp-json\/wp\/v2\/tags?post=877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}