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Even though Medrez has gone through abstraction, the link with the corporeity is a constant in her work. The subject of her work is a reflection about a womans body. Even when the images of the female body abound in the history of art, in the work of Medrez it is approached from her own perspective and beyond, her own bowels .

Resume

Miriam Medrez
Born in Mexico City, 1958
1976 Studies at Concordia University, Montreal, Canada.
1979 Bachelor of Fine Arts at UNAM.

Solo Exhibitions
2014 “Vestidos invertidos”, Emma Molina Gallery, Cultural Institute of Mx. In San Antonio, Texas “Entretejidos”, Contemporary Cell, Cloister of Sor Juana, Mexico, DF
2013 “Hilvanando identidades”, Museum of Arts of Queretaro.
“Cuerpo ausencia”, Hilvanando Identidades, University of the Americas, Chapel of Art Puebla,
2011 “Zurciendo” , “Lo que los ojos no alcanzan a ver”, Crearte of ICBC; Ensenada, Baja California.
2008 “La estructura de la piel”, MARCO Museum; Monterrey, Nuevo Leon.
“La estructura de la piel”, Arts Center San Luis Potosi.
2006 “Del Desierto”, Museum of Finance; Mexico DF.
2005 “Escribiendo esculturas… 23 frases”, Zapopan Art Museum; Guadalajara Jalisco.
2004 “Pieza del mes de Diciembre”, MARCO Museum; Monterrey, Nuevo Leon.
1999 “Trayectos”, Ramiz Barquet Gallery; Monterrey, Nuevo Leon.
1995 “Asalto de Recuerdos”, MARCO Museum; Monterrey, Nuevo Leon.
1991 “Mujeres acompañadas de Perros”, Current Mexican Art Gallery; Monterrey, Nuevo Leon.
1989 “Cerámica”, Current Mexican Art Gallery; Monterrey, Nuevo Leon.
1987 “Alquimia sin secreto”,Hause of Lake México; D.F.
1985 “El Pescado, Collage Gallery; Monterrey, Nuevo Leon.”
1984 “Las gordas, los perros y el mar”, Monterrey Culture House; Nuevo Leon, México.

Group Shows
From 1985 to 2014 about 90 exhibitions in the country and abroad
Public Collections (Selection)
Modern Art Museum; Mexico DF.
Museum of Monterrey; Monterrey, N.L
Museum “MARCO;” Monterrey N.L.

Publications (selection)
The book “Doscientas Ballenas y Cuatro Caballos” Margo Glanz.
illustration of Cartoons on the supplement of the newspaper “El Porvenir”.
“Cuatro Cuentos” by Cecilia Paez.
“Dos y Dos” folder engraving.
“Escultura Mexicana: de la Academia a la Instalación”, National Council of Fine Arts, Landucci Editores, SA de CV. Milan 1999.
Moyssén, Xavier, Plastic Arts of N.L .; “100 años de historia siglo XX”, Museum of Monterrey, Monterrey, NL 2000.

Teaching
2006/2007 Course Sculpture, CEDIM, Monterrey, NL Mexico.
Assistant Professor at the University of Bezalel, Jerusalem, Israel.
2011 Sculpture Course, Casa, San Agustin Etla. Oaxaca

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