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NM03: Armando Romero
[ pulse en la imagen para ver más obra ] Armando Romero Observando los cuadros de nuestro artista, da la impresión de que uno se sumerge en un sueño profundo. Pienso en Giorgio de Chirico y la scuola metafísica o … Read More
Otros Artistas
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Cara Feliz
Oil on Canvas
80 x 70 cm
Rubén Arenas
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Jorge Castilla
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| Virgilio Santaella
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Flor Esses
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Flor is an artist in the deepest sense of the word. In her art flows. explodes. … venerated art exalts the possibility of creation and is grateful when it is manifested on a canvas, a sculpture, a piece that can sometimes be useful as well as beautiful, you can decorate a wall, beautify a temple, or give birth .
Live flower art, is thrilled with each project becomes part of each of its parts, is based on them making them unique and unrepeatable.
And is that art is nature, is the fear that we sometimes feel and excitement unmatched in any moment. It is the passion and disappointment, is the day to day is a daily routine that becomes unique. Flor Art stop is because it has to be, because she could not live in a world without beauty, because his thinking and his inclinations polabras and can only be expressed through color, shape, texture and the constant creation and passionate.
Virgilio Santaella
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NM02: Eugenia Benabib
[ Dé click para ver galería de imágenes ] Eugenia Benabib La pintura de Eugenia Benabib no es teatro de la vida ni espejo del mundo. Su trabajo no se nutre de una tradición pictórica que intente continuar o … Read More
Gabriela Cano
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Fernando Andriacci
 Papá cocodrilo Lost wax bronze 145 x 50 x 23 cm |
 Rinoceronte Lost wax bronze 85 x 43 x 32 cm |
 El Torito Lost wax bronze 25 x 35 x 16 cm |
 Peregrinacion II Mixed media on canvas 150 x 150 cm |
 Lluvia de Catarinas Mixed media on canvas 100 x 130 cm |
 Escudos Mixed media on canvas 130 x 100 cm |
Guillermo Roel
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Guillermo Roel understands art as a human phenomenon, not as the conceptualization of tiny bits of genres that are there to name the different techniques of creation, but that always end up producing the same: Art. His complement with art is such, that he has always had it as an influence to feed his human conscience, a guide that little by little answers those questions that have lacked a response for centuries such as what am I here for?, where do we come from?, issues that begin to unravel with art. The professionalization of the artis must be complete, –claims Roel– from the creative process, to how one imagines what’s to be done, and how you’ll do it, until the moment one presents it to the public. |
Christian Martin del Campo
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Sirena en espera de Ulises |
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De Wallen, la ventana indiscreta |
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A Hard Day’s Night |
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El Mono Gamo |
| My inspiration comes from everything that I know and what is new is the interior and exterior look. My concern is the emotional emptiness, lack of self-knowledge and individual acceptance. I need as a unique and individual, to find my voice in a group of voices each time wider. Is self-knowledge that leads me to this voice, and learn to listen to me, so I find my space, my individual power within a society that is global. This voice is an orchestra of sounds full of colors and flavors, is positive and negative, is real and is a dream, active and passive, is antagonistic because it is dual.
My work reflects this personal struggle, this antagonism, the duality, which leads us to the emotions and attitudes that define us, we project abroad, and suggests a reunion with the internal dialogue as the need for growth and development. Also, the book describes the moment we opened the doors to these attitudes and emotions, when I decide to try and be tried, love, hate, in pleasure and pain. It is the human figure in the play is who represents these emotions and attitudes, intangibles in life, the other elements are the union to what we felt. A decade of strokes and is only the beginning … Christian MartÌn del Campo. |
Sirena en espera de Ulises
Oil on Canvas
210 x 70 cm
De Wallen, la ventana indiscreta
Oil amd acrilic on Canvas
150 x 100 cm
A Hard Day’s Night
Oil amd acrilic on Canvas
150 x 100 cm
El Mono Gamo
Oil amd acrilic on Canvas
100 x 150 cm
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My inspiration comes from everything that I know and what is new is the interior and exterior look. My concern is the emotional emptiness, lack of self-knowledge and individual acceptance. I need as a unique and individual, to find my voice in a group of voices each time wider. Is self-knowledge that leads me to this voice, and learn to listen to me, so I find my space, my individual power within a society that is global. This voice is an orchestra of sounds full of colors and flavors, is positive and negative, is real and is a dream, active and passive, is antagonistic because it is dual. My work reflects this personal struggle, this antagonism, the duality, which leads us to the emotions and attitudes that define us, we project abroad, and suggests a reunion with the internal dialogue as the need for growth and development. Also, the book describes the moment we opened the doors to these attitudes and emotions, when I decide to try and be tried, love, hate, in pleasure and pain. It is the human figure in the play is who represents these emotions and attitudes, intangibles in life, the other elements are the union to what we felt. A decade of strokes and is only the beginning … Christian MartÌn del Campo. |
NM01: Víctor Guadalajara
[ dé click para ver galería de imágenes ] Víctor Guadalajara El trabajo de Víctor Guadalajara produce la sensación de encontrarse en estado de suspensión entre astros y constelaciones, donde el tiempo pasa lentamente y el movimiento es casi … Read More