My inspiration comes from everything that I know and what is new is the interior and exterior look. My concern is the emotional emptiness, lack of self-knowledge and individual acceptance. I need as a unique and individual, to find my voice in a group of voices each time wider. Is self-knowledge that leads me to this voice, and learn to listen to me, so I find my space, my individual power within a society that is global. This voice is an orchestra of sounds full of colors and flavors, is positive and negative, is real and is a dream, active and passive, is antagonistic because it is dual.
My work reflects this personal struggle, this antagonism, the duality, which leads us to the emotions and attitudes that define us, we project abroad, and suggests a reunion with the internal dialogue as the need for growth and development. Also, the book describes the moment we opened the doors to these attitudes and emotions, when I decide to try and be tried, love, hate, in pleasure and pain. It is the human figure in the play is who represents these emotions and attitudes, intangibles in life, the other elements are the union to what we felt. A decade of strokes and is only the beginning … Christian MartÌn del Campo. |