23 May 2011

Luis López Loza

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geometriafragmentada

Geometría Fragmentada
Oil on canvas
135 X 135 cm

 sinfonialuminosa

Sinfonía Luminosa
Oil on canvas
200 X 180 cm

 sombrasobreblanco

Sombra sobre blanco
Oil on canvas
180 X 200 cm

Luis’s work as that of all contemporary artists I admired determines my own results. Art is art. This process begins in awe of the forms of nature: the great creation. The artist is always not to copy their results, but its processes, see the same thing differently, not by imitating but evolving, says Luis “recreating permanently. ” Each artist has reinvented color which leads to infinite combinatorics, looking for the pitch, harmonies and contrasts are only yours, which fully correspond to his own sensibility, being freed from the bondage of reality.

Manuel Felguérez, 2009

Curriculum

23 May 2011

Leticia Vieyra

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Leticia Vieyra
A punto de germinar
Amate paper, fire and wood
230 x 80 x 80 cm 		Leticia Vieyra
La Flecha
Bamboo, amate paper, fire, wind
150 x 35 cm diam.
Leticia Vieyra
Columnas
Sculpture
Cactus skeleton, metal, semiglass
220 X 40 X 40 cm 		Leticia Vieyra
Nidos
Mixed media sculpture
Three pieces.
210 X 140 X 40 cms
Leticia Vieyra
Para volar
Amate paper, cactus skeleton, semiglass, ashes
Ensamblaje de 800 piezas. 110 X 90 X 35 cm

Photo Gallery Webpage by VisualLightBox.com v3.1m

She makes her work with natural materials collected from different places that show the effects of the pass of time: sheets about to disintegrate, parts of trees, dried branches, roots, seeds… She intervenes them subtly highlighting its organic texture, its fragility or strength, its simplicity or complexity; she assembles them with fabricated materials such as paper, metals and resins, placing the resulting work on the limit between found art and created object. Her work stems from a methodic, affective admiration of nature from which she extracts an aesthetic sense. Besides being an artist, she has a medical formation that follows into an assessment of biological processes and the knowledge of human intervention in them. So her work is also presented as an aesthetic meditation on “the organic” and its most immediate connotations: life, nature, harmony, performance. Through compositions, installations, prints and assemblages, the artist builds “hybrid objects” where a complex play of duality takes place: plastic and vegetable, cultural and natural, ephemeral and perennial. In words of the artist: “I think the action of creating art pieces with them transforms these materials apparently insignificant into pieces for contemplation and integrates into a single work of art the principle of life: destruction and rebirth.”

Curriculum Vitae

23 May 2011

Alfredo Gisholt

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entierro
El Aquelarre
Oil on canvas
183 X 214 cm		 silbodegigantes
Silbo de Gigantes
Oil on canvas
214 X 245 cm
lamento
Lamento
Oil on canvas
214 X 183 cm		 barrancosdeescaleras
Barrancos de escaleras III
Oil on canvas
120 X 150 cm

Photo Gallery Webpage by VisualLightBox.com v3.1m

In this show the artist visualizes a reality of Mexico painted from a distant place through a re-signification of western painting symbols, creating a particular fiction. In the midst of the twenty-first century, Gisholt evokes historic references with his paintings: he remembers Goya by painting the same themes, he inserts the light bulb from Picasso’s Guernica using it as a symbol of the symbol. By these means, Gisholt activates the viewer’s memory, causing a fantasy. Although his work draws inspiration from Mexico’s reality, his pictorial language is not folkloristic; he re-signifies each symbol into a new context to visualize a human reality that he finds in his country. His vision is anything but conservative. He uses painting to question the limits of painting itself. He summons its possibilities; extending his realm of expression, with clustered compositions, with strident and tropical colors next to grey and urban hues, with re-interpreted topics and symbols, with contrasting pictorial trends within the same work.

Curriculum
8 Oct 2010

NM09: Armando Romero

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  Armando Romero El Bosco, Brueghel, Poussin, Velazquez, George Lucas, Disney, el graffiti callejero y las pegatinas infantiles… El alcance artístico de Armando Romero no conoce fronteras. El artista logra envolver toda obra que se cruce con su proceso creativo … Read More
8 Sep 2010

NM08: Francisco Toledo

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Francisco ToledoHace  tres años, el artista oaxaqueño Francisco Toledo, en conjunto con artesanos oaxaqueños del Taller Arte Papel de Oaxaca se encontraron en el Museo de Arte Contemporáneo de Monterrey (Marco) para poner a la venta, nuevamente, una última remesa … Read More

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